Every image you love is four decisions: how long the shutter stays open, how wide the iris is, how many frames you take, and which lens you put on. Watch each one, then open Exposure Lab and drag the same sliders yourself, live, offline, on set.
A 180° shutter exposes half of every frame, the "normal" film look. Close it to 45° and motion chops into staccato frames (the Saving Private Ryan beach). Open toward 360° and movement smears into dream. This dancer lives near 360°.
Try it live in the Learn tab →The iris decides how deep the sharp zone is and how fast the world melts around it. A rack focus walks the audience's eye from one subject to another, Exposure Lab tells you exactly how many centimetres of focus your 1st AC has to land in.
Compute your depth of field →Overcrank to 96 fps and play it back at 24 and time stretches 4×. But at the same shutter angle you just lost two full stops, the toolkit's compensator tells you exactly what to open, raise, or add.
Plan a speed ramp →Dolly out while zooming in and the subject holds still while the world compresses behind them, Hitchcock's vertigo shot. Long lenses flatten, wide lenses exaggerate. Exposure Lab gives you the exact field of view on every sensor from Super 16 to IMAX.
See your lens on your sensor →Exposure · depth of field · field of view · data & film math · color, for ALEXA, RED, VENICE, Blackmagic, 16/35/65mm and IMAX. Free trial after a quick registration. ₹499 once, yours forever.
Open Exposure Lab →